Located in City West, Scitech offers Perth families and visitors a unique science experience. Twice a year Scitech puts on Toddlerfest, which has a special focus on our littlest scientists.
One of the great things about Scitech is that there is something for everyone. Many of the activities that are permanently on offer are suitable for toddlers through to adults. During Toddlerfest you will find a heap of additional features that really engage under 5s.
“The Earth is the cradle of humanity, but mankind cannot stay in the cradle forever.” – Konstantin E Tsiolkovsky
The 1960s heralded many firsts in the field of space exploration, including the first human spaceflight and the first Moon landing. This era of space travel formed the backdrop to the childhood of Québécois writer, director and actor Robert Lepage.
The Rocky Horror Show is back in town and fans are flocking to do the Time Warp again!
Following the sacking of leading man Craig McLachlan over accusations of sexual misconduct, lovers of the cult musical waited with anticipa——–tion for news of who would fill the stilettos of the sweet transvestite from Transylvania’s role.
“Life knows no rehearsals. Perfection is precious but not real, not as real as being in the now.” – Nassim Soleimanpour
Perth’s beloved raconteur Andrea Gibbs was thrust into the now at Studio Underground on Wednesday night. Looking out at the audience from the stage, she hadn’t yet seen the ‘secret’ script of the play she was about to perform, let alone met the playwright. Talk about flying blind. Read more
Chinese New Year seemed the perfect time to treat myself to this performance by Perth Festival 2018 Artist-In-Residence Yeung Fai. A fifth-generation Chinese puppeteer and the last in his family, Fai created Hand Stories in 2009 inspired by his family story. There are no subtitles and little dialogue so a spirit of openness, patience and a basic awareness of twentieth-century Chinese history are recommended.
Change seems to be taking place at a rate faster than ever before. In a digital age, technology is superseded remarkably fast and items that are commonplace today won’t be tomorrow. Perhaps every generation feels like this, considering items from their childhood with nostalgia and sentimentality. Evgeny Grishkovets, who performed his show Farewell to Paper at the State Theatre Centre of WA last weekend as part of Perth Festival, laments this rush into the future. He encourages us to slow down and contemplate what it is we are gaining, what we are losing, and whether it matters. Read more
On Friday 11 August Perth space-rock band, Usurper of Modern Medicine put on a gig and exhibition at Little Wing Corner Gallery in Subiaco to launch an interactive augmented reality app they’ve put out to accompany their recently released Everything is Nothing LP. Read more
On the last leg of its Australian tour, the stage adaption of George Orwell’s 1984 has arrived in Perth for a limited season. This production is a sure-fire conversation starter; one of those shows you’ll regret not seeing if you miss out.
In 1949 when Orwell’s novel 1984 was published, you may have shaken your head at the absurdity of the text. A dystopian society ruled by a totalitarian government under constant surveillance, with free speech and independent-thought punishable by death. Read more
Now showing at Studio Underground at the State Theatre Centre of WA, the world premiere of Coma Land considers where we roam in a comatose state. It proffers a dreamlike world, all the while telling a deeper tale about fathers and daughters, about one failing the other and the devastating consequences that can have. Read more
Trigger Warning: This post discusses a performance work that explores themes of violence, emotional abuse and PTSD in war veterans and may be triggering for survivors.
Good Little Soldier is a new physical theatre piece about the ways in which war can return home with those who survive it. Permeating family life, far too often it results in cycles of anguish and dysfunction being passed on to subsequent generations. Director Mark Howett devised the choreography and text collaboratively alongside Ochre Contemporary Dance Company dramaturg Phil Thompson and a five-strong cast, featuring members of Gold Coast-based performing arts collective The FARM and flagship Western Australian contemporary dance company, Co3. Read more